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Last update  07 février 2014

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Shell Artist

Accueil de Blott Kerr Wilson, Shell Artist
CILWENDEG SHELL HOUSE
nymphée de coquillages shell work renovation shell work renovation restauration de decor de coquillages shell work renovation

BBC - Interview Radio 4 - Woman's Hour - Shell Houses

“This 1826 shell house, recently derelict, has been restored along with its woodland setting and flanking rockeries by The Temple Trust, after extensive scholarly research.

 

A full archaeological survey by Cambria Archaeology was undertaken to inform the restoration. Much original material was buried and this has been carefully recovered through excavation. Local sparkling white quartz has been placed on the front, beneath a new crow-step gable. The shells, sourced originally from Welsh beaches instead of from the Caribbean, as was common in the 1820s, have been painstakingly reinstated. The floor, patterned with the knuckle bones of sheep and oxen and the vertebrae of horses, has also been fully restored. “

The Georgian Group

Open to the public

Special Award

 

RESTORATION OF A GEORGIAN GARDEN BUILDING

 

The Cilwendeg Shell House, Pembrokeshire

"The overall effect of the exterior is that of a cottage from a fairy tale; inside, it is yet more glittering and fantastical in flavour. With its shimmering shell -and mineral- encrusted walls and ceiling, the interior never fails to evoke a gasp from the visitor."

 

Patricia Cleveland-Peck for "Country Life" December 2006

 

" The floor is laid out in ornamental "tiles", made of the knuckle-bones  of sheep and oxen, and they are decorated with delicate designs of knots, swirls, leaves, crosses and butterflies. Some of the designs appear to be overtly nautical in character and may be a conscious reflection of the source of the family's wealth. A small fireplace and tiered corner shelves are also decorated with the same vertical indenting found on the external Cilgerran stonework."  

 

Rob Wall "Heritage in Wales" CADW summer 2006

 

     Within the wall decoration, there are various minerals, glass, coral and stones.  A few had survived and remained buried in the original lime mortar, whilst others were found outside by the archeologists.  All the material that could be reused from the archeologists' dig and the walls was re used.  Unfortunately, many shells were too broken or weak.

     The shell restoration started with the walls, which took 8 weeks to complete after collecting all the shells needed from the Pembrokeshire beaches a domed ceiling. Having to find hundreds of otter shells at very low tide on sandy flats, was quite a tricky adventure…

Barbara Jones mention in her book "Follies and Grottoes" a domed ceiling but sadly, no visual information was found about the ceiling as it collapsed, 40 years ago, so it had to be recreated.

The design was based on finds collected by the archeologists, the original wall shell patterns and layout.  Information from people I met whilst shelling (the former gardener and game keeper, a few who had been stationed at Cilwendeg during the war), were very important too.

The restoration project was run by

 

Suzannah Fleming from The Temple Trust

 

And  Roger Clive-Powell  Architect

 

Contemporary Follies Ballymaloe. Celtic Shrine. Cilwendeg Shell House. Labyrinth. Glen. Grotto. Elton Hall. Studio